PIGSY Exhibition by Drone

“Níl Brón Orm” at 360XQMX: A Rooftop Solo Art Exhibition in Ajijic, Jalisco, Mexico

As part of my ongoing journey as an international visual artist, my recent travels took me through vibrant and culturally rich parts of Mexico, where I had the privilege of participating in three unique art residencies. One of the highlights was showcasing my work in a solo rooftop exhibition titled “Níl Brón Orm” at 360XQMX, an innovative art residency and gallery space located in the heart of Ajijic, on the shores of Lake Chapala, Jalisco.

This show marked a powerful chapter in my evolving Sorry Series, which explores the psychology and societal conditioning behind the phrase "I'm sorry." It also served as a vibrant contrast to my earlier Mexico City exhibition, “Tá Brón Orm” (I Am Sorry), held at Casa Lu Sur. Whereas that show delved into apology and emotional burden, “Níl Brón Orm” (I’m Not Sorry) represents release, defiance, and the freedom of unapologetic expression.

From Spain to Mexico: A Creative Odyssey

Before arriving in Ajijic, I began developing the Sorry Series in Madrid, Spain. This body of work was further explored during my residency at Casa Lu Sur, Mexico City, where the concept grew more defined.

In Mexico, the immersive cultural experience—particularly around Día de Muertos (Day of the Dead)—deepened my connection to themes of memory, identity, and the contrast between sorrow, guilt and celebration. That residency culminated in a powerful solo show, “Tá Brón Orm,” at Casa Lu Sur, which received a warm reception from both local and international audiences.

A Unique Rooftop Art Exhibition in Ajijic, Jalisco

The Location: 360XQMX – Art on the Edge of Lake Chapala

The 360XQMX art residency space in Ajijic offered a truly unique and breathtaking setting for “Níl Brón Orm.” Situated on the rooftop of the gallery building, the space overlooks the picturesque Lake Chapala, Mexico’s largest freshwater lake, with sweeping views of the Sierra Madre mountains. The rooftop became a gallery in the sky—a sunlit, open-air platform for unapologetic creativity.

To prepare the rooftop for the exhibition, custom gallery walls were constructed directly on-site, transforming the space into a professional yet unconventional outdoor art venue. While the sunshine beamed down generously on the setup, I couldn’t help but worry about potential rain. However, true to Mexico’s warm climate, the rain held off.

What I didn’t anticipate, though, was an earthquake.

An Earthquake Surprise

Yes, you read that right. Just a day after the gallery wall panels had been installed, I awoke to the news that an earthquake had struck the Ajijic area during the night. My first reaction? I rushed to the rooftop to check if the gallery walls had survived the tremor—and to my great relief, everything remained intact and in place.

We pressed on with the final preparations: bar setup, lighting adjustment, and of course, the hanging of the artwork itself. It felt poetic, in a way—the earth literally moved beneath this unapologetic art series. The show, quite literally, stood strong.

The Exhibition: “Níl Brón Orm” – I’m Not Sorry

Concept and Context

In contrast to the earlier “Tá Brón Orm” exhibition, “Níl Brón Orm” marked a bold shift in tone. Where one show dealt with emotional weight and sorrow, the other declared a liberation from it. The pieces displayed in Ajijic captured that progression—an emotional evolution rendered through bold strokes, dynamic compositions, and defiant color.

This was my first outdoor solo exhibition, and the open-air environment elevated the energy of the show. As the sun set over Lake Chapala, the artworks lit up with golden hour hues, turning the event into an immersive visual and sensory experience.

Captured from the Sky: Drone Footage of the Art Exhibition

A key highlight of “Níl Brón Orm” was the stunning drone video footage that documented the event from above. This was my first time incorporating drone technology into any of my exhibitions, and it proved to be the perfect fit for a show that embraced both freedom of expression and open space.

The footage not only captures the artwork in context but also reveals the surreal beauty of Ajijic’s landscape, the architectural geometry of the rooftop setup, and the buzz of the attending crowd. It’s a visual time capsule of an unforgettable art event, now available for posterity—and for my collectors, fans, and new viewers around the world to experience online.

Conclusion: A Creative Milestone in Mexico

The 360XQMX exhibition in Ajijic was not just a show—it was a statement. “Níl Brón Orm” is a declaration of creative independence, a celebration of place, and a reaffirmation of my belief in the power of art to challenge, provoke, and connect.

Mexico left an indelible mark on my creative journey—from the energy of Mexico City to the tranquility of Lake Chapala. I’m now continuing my travels and studio work back in Spain, but the echoes of my Mexican experience will resonate in my future pieces.

Watch the Drone Video & Stay Connected

🎥 Watch the full drone footage of “Níl Brón Orm” below

📸 For more behind-the-scenes photos and updates, follow me on Instagram

🌐 Explore more exhibitions and available works at www.pigsy.art