A focus on 3 works by PIGSY / by PIGSY

“Non-Serviam”

Hyper gestural original art, originally exhibited by PIGSY in London at The Other Art Fair

Size: 1500mm W x 1500mm H Mixed Media on Canvas

This piece deals with the contradiction between the refusal to adhere to society’s rules and the loneliness and helplessness that are a result of this refusal. “Non-Serviam” (I Will Not Serve) is a bold statement of non-compliance and self sufficiency but looking deeper into the piece there is a call for help and the need for a guardian angel to save the artist. With the knowledge that almost every main character in Pigsy’s art is a self-portrait, there is the suggestion that the guardian angel required is his art and there exists a hope of self-salvation through it. Another clear indicator of the confusion caused by this paradox is the use of the word Malaika (an Islamic word for angel) on the angel’s chest, spelled wrong as Malaka (a Greek term for wanker).

“Mo Laoch” (My Hero)

Size: 1500mm W x 1500mm H Mixed Media on Canvas

PIGYS paints the character James Joyce as the central character in “Mo Laoch” (My Hero as gaeilge) which was originally exhibited in London at The Other Art Fair

It is a rarity that a character in a Pigsy piece is not a version of the artist himself but in this piece the figure is that of famous Irish writer James Joyce. The inspiration for this painting came after watching a documentary on Joyce and the realised connection between him and the artist's uncle, also James, whom he never met but who's house he now owns. Was Joyce talking about people like James in his celebrated novel Dubliners.

Could he have been a role model and mentor for Pigsy for he was also a poet and artist. The title "Mo Laoch" is Irish for "My Hero", a reference to the actual feeling for Joyce and the potentially stronger feeling for his uncle that, alas, never existed. Note that Joyce holds the red spelling book, Pigsy's nemesis, an item depicted in many of his works to signify his struggle with dyslexia.

“Cyberpunks”

Cyberpunks-1972-Binary-Pigsy(1).JPG

Size: 1500mm W x 1500mm H Mixed Media on Canvas

“Cyberpunks” is Pigsy’s take on the movement formed in 1990, the beginning of the deep web and a decentralising power of the banks. The crossed out 72 is both a cry for admittance and a confusion that the artist’s year of birth predates the aforementioned formation- “I was a cyberpunk before it even started, let me in”. Note the signature in the painting in the top right is Pigsy in binary.